Now, before we get into the various whats and wheres of how you can watch '1408' right now, here are some particulars about the Di Bonaventura Pictures, Dimension Films, The Weinstein Company, Metro-Goldwyn-Mayer horror flick. Read on for a listing of streaming and cable services - including rental, purchase, and subscription alternatives - along with the availability of '1408' on each platform. However, I can\'t wait to finish this review because I\'ve been listening to the album while writing and frankly this music is creeping me the **** out.Want to behold the glory that is ' 1408' on your TV, phone, or tablet? Tracking down a streaming service to buy, rent, download, or view the Mikael Håfström-directed movie via subscription can be difficult, so we here at Moviefone want to do the heavy lifting. It also benefits from being one of those horror scores that works both inside and outside of the film. The whole soundtrack plays to Yared\'s old strengths and reveals exciting new talents as well. This is easily one of the most well-rounded horror scores I\'ve heard in… I don\'t even remember when. He reserves the big scares for the strings ("Out on a Ledge") and then bring the electronic elements back in for the following build up to the next scare. Then when it is time to let it rip ("Ship in a Painting" and "Fire!"), Yared unleashes a full orchestral fury. He also uses his old character drama strengths in the somber piano theme "Katie\'s Theme" which repeats in "Don\'t You Love Me Anymore?". Yared will always make sure there are some traditional elements mixed in the atonal elements. What makes this score work better than most is that the disparate elements are all organically integrated. Yared changes the style enough that you never know what to expect and the results are a nice creeping ambience with some good jolts.
#ROOM 1408 FULL MOVIE STREAM SERIES#
Sometimes he will go completely strings ("Mike\'s Fugue") or he\'ll pile up a whole series of distorted, creaking and warped sound effects ("Bleeding Walls") like Akira Yamaoko\'s work on the Silent Hill videogames. Yared has opened his bag up and he incorporates elements of electronica into traditional horror movie scoring.
#ROOM 1408 FULL MOVIE STREAM HOW TO#
The question of how to scare us is in what tricks to use. Yared has clearly learned a few new things from his collaboration with Underworld on Breaking and Entering. Yared weaves the motif of time through out of the score with the clicking of a watch pops up indicating the limited time Mike Enslin (John Cusack) has left before the room does him in. The soundtrack pulses with an electronic rhythm that wouldn\'t be out of place in a Clint Mansell or a David Julyan score. You know it is evil because it only plays The Carpenter\'s "We\'ve Only Just Begun" (a song that would have been great to have on the album, but it is omitted I suspect due to a rights issue). Then about two minutes into "Room 1408", Gariel Yared pull his first surprise. The whole thing suggests we\'re about to have a good creepy time. They indicate the intelligence and deep emotional problems of the John Cusack character.
This theme weaves its nervous string rhythms subtly through many tracks. In "The Dolphin Hotel", the score delights in haunted violin solos with plucking harp and mandolin strings. From the very opening Bernard Herrmann-esque horn drone of "10 Haunted Hotels", the score announces itself as an unrepentantly old-fashion score with old fashion scares. This is another type of musical pastiche opposed to the current horror trends of atonal musical stings and general noisiness (I can\'t make myself sound more like an old man if I tried). Likewise, this score is a delightful surprise.
The movie has become a surprise horror hit of the summer, catching people off guard in a time of retro-seventies/eighties shock gore horror pastiches. I\'m surprised it doesn\'t take place in Maine also. It has a writer protagonist, a past family tragedy and the creepy use of a benign 70\'s pop hit. Wasn\'t expecting that.ġ408 is the definition of a Stephen King story.
But then after that, he goes and does an old fashion psychological ghost story. Sure, doing a foreign drama like The Lives of Others sounds like a very Gabriel Yared type of thing to do. I said flippantly in a previous review that you never know what Gabriel Yared does next.
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